Wednesday, March 28, 2007

Who would it be?


Well, if you haven't already noticed, things around here are starting to take on a different appearance. There have been some sites that I have been meaning to add to the link section, I didn't like the look of the layout and the title was just lacking. Hopefully these changes are a step in a positive direction.

On to another thought I wanted to discuss here. One of my favorite parts of creating my own blog (besides sharing some of my obscure tunes) is the open discussion that has gone on here. I really appreciate the people who have taken the time to write down their own opinions of things (good or bad), give suggestions or recommendations for music that might follow a similar vein, and even post some of their own stuff here. There are many interesting and fascinating things going on around us, why not share your favs with others around? It's always cool finding something fresh to enjoy, or at least forming a new opinion. Exploration.

Okay, enough of all of that philosophising. Down to the meat and potatoes for this post--a hypothetical situation. If you were isolated somewhere for a year (hokey and overused I know, but bear with me here) and could only take one musical artist's complete discography (as leader and sideman) with you, who would it be? I don't know what spurred this question in my head, but I probably have spent too much time thinking about it lately (Perhaps a lull at work?). As the idea progressed, I realized that I would want someone who has a wide variety of recorded music under his or her belt. Too much of one style would burn me out. Big time names floated in and out until finally it hit me. The man pictured above. Max Roach. Who else could it be? Let's start off with all of his classic albums with Bird and Diz, or the Massey Hall date. In the mood for some trumpet? How about all of his recordings with Clifford Brown. Hmmm, too mellow and straight ahead you might think. Turn to 70's Max. The one who recorded with Cecil Taylor, Anthony Braxton and Archie Shepp. "Force" and "The Long March" (with Shepp) are two of my all-time favorites, and that "Historic Concerts" disc with CT is just something else entirely. No shortage of creativity there. Heck, I even like (thoroughly) his Paris concert recerded with Dizzy (1989), despite the somewhat mixed reactions. And those are just some of the standout albums that come to mind immediately.

To sum it up simply: Max Roach. The most talented individual? Definitely up there, but obviosuly not. Am I way off base here by choosing him? Who would you pick? What would be the defining factors in your choice? Inquiring minds want to know!

Here's an interesting link to a BBC site that follows along similar lines:

http://www.bbc.co.uk/radio4/factual/desertislanddiscs.shtml

p.s. For all of you album junkies, I'll try and put up some Lester Bowie later this week...

Sunday, March 18, 2007

His momma called him Leo...


I was up in the Pacific Northwest just recently on a bit of a road trip, and with a bit of driving ahead of me I decided to plug my iPod into the deck and listen to Wadada Leo Smith's box "Kabell Years: 1971-1979." Fantastic! This guy is an amazing trumpet player, the music is very interesting and imaginative and the set (at least for me) just seemed so easy to get into. It ranks very high on my recommendation list--if you don't have it already I suggest checking it out! Fortunately, it is in print and very easy to find, two thinks which would nix it from my blog.

Alternatively, I decided to throw on another of his albums, Smith's 1978 recording for ECM "Divine Love," which, based on its used prices on Amazon.com and AllMusic.com, seems to be out of print. This album has an all-star cast, including Charlie Haden on bass and even an appearance by Lester Bowie and Kenny Wheeler. Things on this album really seem to mesh, despite a less than stunning review at AllMusic.com. If you haven't heard it already, I suggest you give it a listen and then go buy the Kabell box!

Divine Love
Wadada Leo Smith
Released 1978
128 Rate AAC Files

Line-Up:
Dwight Andrews Flute, Clarinet (Bass), Sax (Tenor), Triangle
Lester Bowie Trumpet
Charlie Haden Bass
Bobby Naughton Marimba, Bells, Vibraphone
Wadada Leo Smith Percussion, Trumpet, Flugelhorn, Gong
Kenny Wheeler Trumpet

Track List:
1 Divine Love Smith 21:47
2 Tastalun Smith 6:38
3 Spirituals: Language of Love Smith 15:28

(Link Removed)

Enjoy!

Wednesday, March 7, 2007

How Swede it is!


So, basically this little Swedish gem (helped back into reissue by none other than Mats Gustafsson) is truly impressive. What ever happened to these guys? As far as I know, this is the only album that got released from the group. There is some great energy on this album, with some true blowout moments mixed in with some nice rhythms and melodies. Their version of Ornette's "Ramblin'" really jams and Orinoco has a wonderful ominous beginning and Holmstrom really gets into it. I can't remember how I even learned about this album, but it is definitely a keeper--its a shame this is the only recorded version of their work. This one is a little less abstract than the last post, and a great overall listen. Enjoy!

Mount Everest Trio
"Waves from Albert Ayler"
Recorded in 1975
128 Rate AAC Files

Gilbert Holmstrom Sax (Alto), Sax (Tenor)
Kjell Jansson Bass
Conny Sjokvist Drums

1 Spirits 4:26
2 Ramblin' 5:54
3 Orinoco 7:05
4 Bananas Oas 4:13
5 No Hip Shit 7:26
6 Elf 3:15
7 Eritrea Libre 3:46
8 People's Dance 6:55
9 101 W. 80th Street 6:25
10 Consolation 5:29
11 Ode to Albert Ayler 5:25

(Link Removed)

Monday, March 5, 2007

Gustafsson/Drake Masterpiece

Apologies to the people over at Okka (and Susie Jae of WKCR) where I got this review, but I couldn't put it any better:

"Rhythmic virtuoso Hamid Drake and reeds innovator Mats Gustafsson deliver a jaw-dropping and all-too-brief set recorded in Chicago on Oct. 19, 1995, the day of Don Cherry’s death. One of the few live records to make this listener earnestly wish she’d been in attendance, Drake and Gustafsson’s meeting is a perfect example of the phenomenal synergy possible between two musicians. The two in question are an ideal match; both temper the muscularity of their playing with sensitivity and musical sophistication. Neither artist allows the other the option of sitting on his heels at any point; this recording is challenging, intense, and enjoyable from start to finish.

Plus, it seems like they’re having fun; have a listen to the frenetic, playful second piece, wherein Gustafsson presumably forgoes his saxophones for a bit to yelp and whoop in response to Drake’s inspired djembe playing. Gustafsson, frequently touted as a "rising star" of European jazz, is in my opinion rarely matched among powerhouse reedsmen in creativity. Meanwhile, the tireless and infallible Drake delievers one of the more visceral and thrilling percussion solos to make it to records. This is improvisation, and it rocks, to boot; my favorite live record of the year. Only 600 copies entered the world, so you know what that means."

- Susie Jae, ON AIR magazine, WKCR 89.9 FM (New York)

This one took some serious time to track down. I am happy to say that I wasn't let down at all by the final results. Drake and Gustafsson are perfectly suited together and they really build off of one other. SIMPLY AMAZING!



For Don Cherry
Recorded at Urbis Orbis, Chicago, IL, October 19, 1995
128 AAC Files

Hamid Drake — percussion
Mats Gustafsson — reeds

Tracks:
1. (4:53)
2. (6:28)
3. (17:30)
4. (11:09)

Total time: 40:02

(Link Removed)

Oh, to have been a fly on this wall...

Oh, to have been a fly on this wall...
For those of you who don't know, this is a photo of Peter Brotzmann, Evan Parker and Anthony Braxton, reed gods incarnate.